Kara Walker
Resurrection Story with Patrons

Resurrection Story with Patrons

© Kara Walker

Resurrection Story with Patrons
Resurrection Story with Patrons
ArtistAmerican, born 1969
PrinterNew York
CultureAmerican
Titles
  • Resurrection Story with Patrons
Date2017
MediumEtchings with aquatint, sugar-lift, spit bite, and drypoint on wove paper, edition 12/25
DimensionsPlate (.1): 32 1/2 × 23 3/4 in. (82.6 × 60.3 cm)
 Sheet (.1): 39 3/4 × 30 in. (101 × 76.2 cm)
 Plate (.2): 32 1/2 × 42 3/4 in. (82.6 × 108.6 cm)
 Sheet (.2): 39 1/2 × 48 1/2 in. (100.3 × 123.2 cm)
 Plate (.3): 32 3/4 × 23 3/4 in. (83.2 × 60.3 cm)
 Sheet (.3): 39 3/4 × 30 in. (101 × 76.2 cm)
Credit LineMuseum purchase funded by Bill Pritchard, Ralph Eads, Tony Petrello, Gary Petersen, and Doug Schnitzer at "One Great Night in November, 2017"
Object number2017.378.1-.3
Not on view

Explore Further

Department
Prints and Drawings
Object Type
ProvenanceThe artist with [Sikkema Jenkins & Co, New York, 2017].; to the MFAH, 2017
Exhibition Historynone noted for these impressions
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, left: 12/25


Recto: Signed and dated in graphite, below plate, right: KW 2017
Verso: Signed in graphite: KW 16498
none noted
Catalogue raisonnénone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Image received from curatorial
Walton Ford
Pestvogel
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Vignette (Wishing Well)
Kerry James Marshall
Vignette (Wishing Well)
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Winter Speaks
Jim Hodges
Winter Speaks
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Black Leaf
Chris Ofili
Black Leaf
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
Untitled
Jasper Johns
Untitled
2005
Drypoint, sugar lift and spit-bite aquatint on handmade leather paper, edition 13/15
2005.1834.A,.B
provided by lender
Jim Hodges
‘ɹǝɯɯnS ɟo’
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
Untitled (State 1)
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Untitled [9]
John Baldessari
Untitled [9]
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Untitled (Large Tape)
Al Taylor
Untitled (Large Tape)
1988
Aquatint, sugar lift, spit bite, and line etching on paper
98.48
Home
Kiki Smith
Home
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Untitled [4]
John Baldessari
Untitled [4]
1982
Photoetching, spit-bite, and sugar lift aquatint in colors, edition 9/35
96.1.4
Park Place Variation
Wayne Thiebaud
Park Place Variation
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457