Artist
Walton FordAmerican, born 1960
Print studioPrinted by
Wingate StudioHinsdale, New Hampshire
PublisherPublished by
Kasmin EditionsNew York
CultureAmerican
Titles
- Pestvogel
Date2016
MediumAquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
DimensionsPlate: 27 3/4 × 21 5/8 in. (70.5 × 55 cm)
Sheet: 40 × 30 3/4 in. (101.6 × 78.1 cm)
Sheet: 40 × 30 3/4 in. (101.6 × 78.1 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2018.396
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Inscriptions, Signatures and Marks
Recto: Printed in ink, in plate, upper left: Pestvogel
Recto: Printed in ink, in plate, lower left: Bombycilla garrulus ~ Bohemian Waxwing ~
Recto: Printed in ink, in plate, lower right: 12 . 10. 1917
Recto: Inscribed in graphite, below plate, lower left: 64/65
Recto: Signed and dated, below plate, lower right: Walton [cursive] 2016
Recto: Printed in ink, in plate, lower left: Bombycilla garrulus ~ Bohemian Waxwing ~
Recto: Printed in ink, in plate, lower right: 12 . 10. 1917
Recto: Inscribed in graphite, below plate, lower left: 64/65
Recto: Signed and dated, below plate, lower right: Walton [cursive] 2016
Recto: Signed and dated, below plate, lower right: Walton [cursive] 2016
none visible
Catalogue raisonnénone
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
![Untitled [9]](/internal/media/dispatcher/292258/thumbnail)
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Claes Oldenburg
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof I/V
2008.182
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof IV/V
2008.181
![Untitled [3]](/internal/media/dispatcher/295173/thumbnail)
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457