Artist
Martin Puryear American, born 1941
Print studio
Universal Limited Art Editions, Ltd.Bay Shore, New York
Publisher
Universal Limited Art Editions, Ltd.Bay Shore, New York
CultureAmerican
Titles
- Untitled (State 1)
Date2016
MediumDrypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
DimensionsPlate: 35 11/16 × 35 11/16 in. (90.7 × 90.6 cm)
Sheet: 41 × 40 1/16 in. (104.1 × 101.7 cm)
Sheet: 41 × 40 1/16 in. (104.1 × 101.7 cm)
Credit LineMuseum purchase funded by Theodore J. Lee and Marc Sekula
Object number2017.106
Current Location
The Nancy and Rich Kinder Building
Gallery 207
On view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Line Into Space," The Museum of Fine Arts Houston, Oct. 28, 2020 – July 27, 2021. [Inaugural Installation: Kinder Building 312: No Catalog]
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below image, left: 8/29
Recto: Signed and dated in graphite, below image, right: BAT M Puryear 20 Sept 2016
Verso: [none]
Recto: Signed and dated in graphite, below image, right: BAT M Puryear 20 Sept 2016
Verso: [none]
Recto: Signed and dated in graphite, below image, right: BAT M Puryear 20 Sept 2016
Verso: [none]
Verso: [none]
Recto: Chopmark, bottom left corner: ULAE
Verso: [none]
Verso: [none]
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Beth Secor
1993
Etching and aquatint on wove paper, bon à tirer
2021.613
Beth Secor
1993
Etching and aquatint on wove paper, bon à tirer
2021.612
Beth Secor
1993
Etching and aquatint on wove paper, bon à tirer
2021.611
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Henri Matisse
1929
Drypoint, printed chine collé, on Gampi and wove paper, proof bon à tirer
2019.646
Brice Marden
1986
Sugar lift aquatint, open-bite, and scraping on wove paper
96.207