Jim Hodges
‘ɹǝɯɯnS ɟo’

provided by lender

© Jim Hodges, Courtesy the artist and Gladstone Gallery, New York and Brussels, Stephen Friedman Gallery, London, Anthony Meier Fine Arts, San Francisco

‘ɹǝɯɯnS ɟo’
provided by lender
ArtistAmerican, born 1957
CultureAmerican
Titles
  • ‘ɹǝɯɯnS ɟo’
Date2016
Published inMinneapolis, Minnesota, United States
Printed inMinneapolis, Minnesota, United States
MediumIntaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
DimensionsPlate: 34 × 24 in. (86.4 × 61 cm)
Sheet: 41 × 30 1/2 in. (104.1 × 77.5 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment and Linda and David Dillahunty
Object number2017.269
Not on view

Explore Further

Object Type
ProvenanceThe artist and [Highpoint Editions, Minneapolis and Walker Art Center, Minneapolis]; purchased by MFAH, 2017.
Exhibition History"Fear and Wonder: Sublime Landscapes on Paper – Selections from the Museum’s Collection," Museum of Fine Arts, Houston, February 12–August 4, 2019.

"To the Skylark," The Museum of Fine Arts Houston, Oct. 28, 2020 – July 27, 2021. [Inaugural Installation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, left: PP 4/4
Recto: Inscribed in graphite, below plate, center: ɹǝɯɯnS ɟo
Recto: Signed and dated in graphite, below plate, right: Jim Hodges 2016
Verso: [inaccessible]
Recto: Signed and dated in graphite, below plate, right: Jim Hodges 2016
Verso: [inaccessible]
Recto: Chopmark, below plate, left: [Highpoint Center for Printmaking]
Verso: [inaccessible]

Cataloguing data may change with further research.

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Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Lick
John Clement
2007
Engraving with angle grinder on gampi and wove paper, printed chine collé, 1/3 artist’s proof, besides an edition of 25
2018.634
Beer Garden
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Three Parts
Susan Rothenberg
1988
Mezzotint with aquatint, scraping, burnishing, and roulette with chine-collé on gampi on laid paper, edition 13/44
2014.160
Vignette (Wishing Well)
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
SAY A PRAYER
Jeffrey Gibson
2021
Lithograph in colors with collage of lithographs printed chine collé on gampi and Thai kozo paper, on Newsprint Gray Somerset Velvet paper, edition 4/20
2023.45
Overall recto
Carroll Dunham
2006
Lithograph on wove paper, printer’s proof, 4/4, aside from the edition of 5
2021.400.5
Overall recto
Carroll Dunham
2006
Lithograph on wove paper, printer’s proof, 4/4, aside from the edition of 5
2021.400.6
Overall recto
Carroll Dunham
2006
Lithograph on wove paper, printer’s proof, 4/4, aside from the edition of 5
2021.400.12
Overall recto
Carroll Dunham
2006
Lithograph on wove paper, printer’s proof, 4/4, aside from the edition of 5
2021.400.11
Overall recto
Carroll Dunham
2006
Lithograph on wove paper, printer’s proof, 4/4, aside from the edition of 5
2021.400.14