Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28

Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15

Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10

Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20

Cut and pasted photolithograph in colors and screenprint on kozo paper; lithograph, inkjet print and screenprint in colors and metal foils on wove paper, edition 22/28

Mezzotint with aquatint, scraping, burnishing, and roulette with chine-collé on gampi on laid paper, edition 13/44

Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow

Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65

Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20

Drypoint, sugar lift and spit-bite aquatint on handmade leather paper, edition 13/15

Etchings with aquatint, sugar-lift, spit bite, and drypoint on wove paper, edition 12/25

Lithograph on wove paper, printer’s proof, 4/4, aside from the edition of 5