Artist
Chris Ofili (British, born 1968)British, born 1968
Print studio
Crown Point Press (San Francisco, since 1987)
CultureBritish
Titles
- Black Leaf
- from the series Rincon Falls
Date2008
Printed inSan Francisco, California, United States
Published inSan Francisco, California, United States
MediumColor spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
DimensionsPlate: 23 1/2 × 14 3/4 in. (59.7 × 37.5 cm)
Sheet: 32 1/2 × 22 7/8 in. (82.6 × 58.1 cm)
Sheet: 32 1/2 × 22 7/8 in. (82.6 × 58.1 cm)
Credit LineMuseum purchase funded by Kelly and Nicholas Silvers; Linda and David Dillahunty; Elinor Earle; the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors; and various funders in memory of Charlotte Ewart
Object number2015.94
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, lower left: TPV
Recto: Inscribed in graphite, below plate, lower center: Rincon Falls—Black Leaf
Recto: Signed and dated in graphite, below plate, lower right: Chris Ofili [illegible] 08
Recto: Inscribed in graphite, below plate, lower center: Rincon Falls—Black Leaf
Recto: Signed and dated in graphite, below plate, lower right: Chris Ofili [illegible] 08
Recto: Signed and dated in graphite, below plate, lower right: Chris Ofili [illegible] 08
Recto: Blindstamp, right bottom edge: Crown Point Press / [illegible]
Recto: Blindstamp, right bottom edge: [swirling CPP – Crown Point Press logo]
Recto: Blindstamp, right bottom edge: [swirling CPP – Crown Point Press logo]
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Kara Walker
2017
Etchings with aquatint, sugar-lift, spit bite, and drypoint on wove paper, edition 12/25
2017.378.1-.3
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Jasper Johns
2005
Drypoint, sugar lift and spit-bite aquatint on handmade leather paper, edition 13/15
2005.1834.A,.B
![Untitled [4]](/internal/media/dispatcher/310869/thumbnail)
Chris Ofili
2015
Aquatint, etching, photogravure, and hand applied metallic pigment on wove paper, edition 2/20
2016.173.4
![Untitled [3]](/internal/media/dispatcher/310867/thumbnail)
Chris Ofili
2015
Aquatint, etching, photogravure, and hand applied metallic pigment on wove paper, edition 2/20
2016.173.3
![Untitled [5]](/internal/media/dispatcher/310871/thumbnail)
Chris Ofili
2015
Aquatint, etching, photogravure, and hand applied metallic pigment on wove paper, edition 2/20
2016.173.5
![Untitled [2]](/internal/media/dispatcher/310586/thumbnail)
Chris Ofili
2015
Aquatint, etching, photogravure, and hand applied metallic pigment on wove paper, edition 2/20
2016.173.2
![Untitled [1]](/internal/media/dispatcher/310865/thumbnail)
Chris Ofili
2015
Aquatint, etching, photogravure, and hand applied metallic pigment on wove paper, edition 2/20
2016.173.1