Philip Schum
Woven Tied Beiderwand Coverlet

MakerAmerican, born Germany, 1814–1880
CultureAmerican
Titles
  • Woven Tied Beiderwand Coverlet
Date1869
Made inLancaster, Pennsylvania, United States
MediumCotton and wool, Jacquard-loom-woven
Dimensions79 1/2 × 74 1/2in. (201.9 × 189.2cm)
(fringe on both ends): 2 1/2in. (6.3cm)
Credit LineThe Bayou Bend Collection, gift of the estate of Miss Ima Hogg
Object numberB.76.64
Non exposé

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Department
Bayou Bend
Object Type
Description

Philip Schum (1814–1880), born in the Grand Duchy of Hesse-Darmstadt (Germany), settled in Lancaster, Pennsylvania. By 1856 he owned a weaving business, which in 1875 was producing 400 “quilts” a week. However, pieces such as this four-color wool combined with natural cotton maybe the half-wool coverlets referred to in a business inventory. This Jacquard-weave pattern  is associated with Schum’s workshop.

Technical notes and description: Cotton and wool warp and wool weft Jacquard tied Biederwand weave cloth. The coverlet is of natural cotton and royal blue, olive, scarlet, and magenta wool. It boasts a star and floral central medallion and a figurative border of a stylized United States Capitol and a bust of George Washington, flanked by a pair of rearing horses, which are placed above a spread-wing eagle supporting an inscribed banner. All four corners contain a representation of a small steamboat.

Related examples: Illinois State Museum, Springfield (acc. no. 746561; Wass 1988, fig. 75).

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenanceMiss Ima Hogg; Estate of Miss Ima Hogg, 1975; given to MFAH, 1976
Exhibition History"American Traditions: Quilts and Coverlets 1760–1900," The Caroline Weiss Law Building, Lovett Gallery, October 28, 2001–April 7, 2002, Tina M. Llorente.
Inscriptions, Signatures and Marks
Inscribed in all corners: WASHINGTON / HALL / 1869
[no marks]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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