Martin Disler
Untitled [1]

Untitled [1]

© Irene Grundel Disler

Untitled [1]
Untitled [1]
ArtistSwiss, 1949–1996
Print studioNew York
CultureSwiss
Titles
  • Untitled [1]
  • from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumPhotoetching and drypoint, edition I/X
DimensionsPlate: 21 × 28 15/16 in. (53.3 × 73.5 cm)
Sheet: 22 1/8 × 29 13/16 in. (56.2 × 75.7 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.1
Non exposé

Explore Further

Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".

Cataloguing data may change with further research.

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Untitled [2]
Martin Disler
1981
Photoetching and soft ground etching, edition I/X
96.18.2
Untitled [3]
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Untitled [8]
Martin Disler
1981
Photo etching, aquatint, and sugar lift aquatint, edition I/X
96.18.8
Untitled [7]
Martin Disler
1981
Photo etching, aquatint, and soft ground etching, edition I/X
96.18.7
Untitled [4]
Martin Disler
1981
Photo etching, aquatint, etching, and scraping, edition I/X
96.18.4
Untitled [6]
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
Untitled [5]
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Martin Disler
1981
Plastic and stainless steel, edition I/X
96.18.9
L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping, and open bite with asphaltum in brown and black on wove paper, edition I/X
96.12.1
E gli eroi alla finestra (And the Heroes at the Window)
Sandro Chia
1981
Aquatint, drypoint, scraping, and soft ground etching in black and purple, edition I/X
96.12.5
L'anima-buona (The Good Soul)
Sandro Chia
1981
Aquatint, soft ground etching, scraping, and drypoint in brown and black, edition I/X
96.12.4
Untitled [1]
Louise Bourgeois
1989–1990
Drypoint, state I/I, edition 33/44
96.4.4