![Untitled [5]](/internal/media/dispatcher/295174/preview)
Artist
Martin Disler(Swiss, 1949–1996)Swiss, 1949–1996
Print studio
Aeropress, Inc.(New York)New York
CultureSwiss
Titles
- Untitled [5]
- from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumPhoto etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
DimensionsPlate: 20 15/16 × 28 3/4 in. (53.2 × 73 cm)
Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.5
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
![Untitled [3]](/internal/media/dispatcher/295173/thumbnail)
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
![Untitled [6]](/internal/media/dispatcher/295175/thumbnail)
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
![Untitled [8]](/internal/media/dispatcher/295176/thumbnail)
![Untitled [7]](/internal/media/dispatcher/295307/thumbnail)
![Untitled [4]](/internal/media/dispatcher/295524/thumbnail)
![Untitled [2]](/internal/media/dispatcher/295523/thumbnail)
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.5
![Untitled [3]](/internal/media/dispatcher/295547/thumbnail)
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.4
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.3
Final version/Preparatory work
