Martin Disler
Untitled [2]

Untitled [2]

© Irene Grundel Disler

Untitled [2]
Untitled [2]
ArtistSwiss, 1949–1996
Print studioNew York
PublisherNew York
CultureSwiss
Titles
  • Untitled [2]
  • from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Published inNew York City, New York, United States
MediumPhotoetching and soft ground etching, edition I/X
DimensionsPlate: 20 7/8 × 28 3/4 in. (53 × 73 cm)
 Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.2
Non exposé

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled [3]
Martin Disler
Untitled [3]
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Untitled [5]
Martin Disler
Untitled [5]
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Untitled [7]
Martin Disler
Untitled [7]
1981
Photo etching, aquatint, and soft ground etching, edition I/X
96.18.7
Untitled [1]
Martin Disler
Untitled [1]
1981
Photoetching and drypoint, edition I/X
96.18.1
Untitled [4]
Martin Disler
Untitled [4]
1981
Photo etching, aquatint, etching, and scraping, edition I/X
96.18.4
Untitled [6]
Martin Disler
Untitled [6]
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
Untitled [8]
Martin Disler
Untitled [8]
1981
Photo etching, aquatint, and sugar lift aquatint, edition I/X
96.18.8
Image non disponible pour Untitled [Pocket knife]
Martin Disler
Untitled [Pocket knife]
1981
Plastic and stainless steel, edition I/X
96.18.9
E gli eroi alla finestra (And the Heroes at the Window)
Sandro Chia
E gli eroi alla finestra (And the Heroes at the Window)
1981
Aquatint, drypoint, scraping, and soft ground etching in black and purple, edition I/X
96.12.5
L'anima-buona (The Good Soul)
Sandro Chia
L'anima-buona (The Good Soul)
1981
Aquatint, soft ground etching, scraping, and drypoint in brown and black, edition I/X
96.12.4
Untitled [2]
John Baldessari
Untitled [2]
1982
Photoetching, aquatint, soft ground etching, and sugar lift aquatint in gray, black, and red, edition 9/35
96.1.2
Image non disponible pour Untitled [Working proof 5]
James Turrell
Untitled [Working proof 5]
c. 1988
Aquatint, photoetching, etching, soft ground etching, and drypoint in colors [left]; Aquatint, photoetching, soft ground etching and etching in colors on wove paper [right], working proof
96.470