![Untitled [4]](/internal/media/dispatcher/295524/preview)
Artist
Martin Disler(Swiss, 1949–1996)Swiss, 1949–1996
Print studio
Aeropress, Inc.(New York)New York
CultureSwiss
Titles
- Untitled [4]
- from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumPhoto etching, aquatint, etching, and scraping, edition I/X
DimensionsPlate: 20 15/16 × 28 13/16 in. (53.2 × 73.2 cm)
Sheet: 22 × 29 13/16 in. (55.9 × 75.7 cm)
Sheet: 22 × 29 13/16 in. (55.9 × 75.7 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.4
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
![Untitled [3]](/internal/media/dispatcher/295173/thumbnail)
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
![Untitled [6]](/internal/media/dispatcher/295175/thumbnail)
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
![Untitled [5]](/internal/media/dispatcher/295174/thumbnail)
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
![Untitled [7]](/internal/media/dispatcher/295307/thumbnail)
![Untitled [8]](/internal/media/dispatcher/295176/thumbnail)
![Untitled [2]](/internal/media/dispatcher/295523/thumbnail)
Brice Marden
1986
Sugar lift aquatint with scraping and etching on wove paper, artist's proof II/X, state I/I
96.29.4
Sandro Chia
1981
Aquatint, soft ground etching, scraping, and drypoint in brown and black, edition I/X
96.12.4
Sandro Chia
1981
Aquatint, drypoint, scraping, and soft ground etching in black and purple, edition I/X
96.12.5
Sandro Chia
1981
Aquatint, etching, scraping, and roulette in colors, edition I/X
96.12.3
![Untitled [1]](/internal/media/dispatcher/295172/thumbnail)
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.22
Final version/Preparatory work
