![Untitled [3]](/internal/media/dispatcher/295173/preview)
Artist
Martin Disler(Swiss, 1949–1996)Swiss, 1949–1996
Print studio
Aeropress, Inc.(New York)New York
CultureSwiss
Titles
- Untitled [3]
- from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumPhoto etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
DimensionsPlate (left): 21 × 14 3/8 in. (53.3 × 36.5 cm)
Plate (right): 21 × 14 7/16 in. (53.3 × 36.7 cm)
Sheet: 22 1/8 x 29 13/16 in. (56.2 x 75.7 cm)
Plate (right): 21 × 14 7/16 in. (53.3 × 36.7 cm)
Sheet: 22 1/8 x 29 13/16 in. (56.2 x 75.7 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.3
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left corner of sheet: "I/X".
Signed in pencil, lower right corner of sheet: "Martin Disler".
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
![Untitled [5]](/internal/media/dispatcher/295174/thumbnail)
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
![Untitled [6]](/internal/media/dispatcher/295175/thumbnail)
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
![Untitled [7]](/internal/media/dispatcher/295307/thumbnail)
![Untitled [3]](/internal/media/dispatcher/295547/thumbnail)
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
![Untitled [8]](/internal/media/dispatcher/295176/thumbnail)
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
John Cage
January 6, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, and found objects, edition 20/25
78.57.5
John Cage
January 5, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, edition 20/25
78.57.4
![Untitled [4]](/internal/media/dispatcher/295524/thumbnail)
![Untitled [3]](/internal/media/dispatcher/292256/thumbnail)
John Baldessari
1982
Photoetching, aquatint, soft ground etching, and sugar lift aquatint in black and brown, with scraping, edition 9/35
96.1.3
Final version/Preparatory work
