Artist
Martin Disler(Swiss, 1949–1996)Swiss, 1949–1996
Print studio
Aeropress, Inc.(New York)New York
CultureSwiss
Titles
- Untitled [6]
- from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumPhoto etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
DimensionsPlate: 20 13/16 × 28 7/8 in. (52.9 × 73.3 cm)
Sheet: 22 1/16 × 29 3/4 in. (56 × 75.6 cm)
Sheet: 22 1/16 × 29 3/4 in. (56 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.6
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Brice Marden
1986
Sugar lift aquatint, etching and roulette, artist's proof II/X, state I/I
96.29.14
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.22
Brice Marden
1986
Sugar lift aquatint, etching and scraping, artist's proof II/X, state I/I
96.29.25
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.19
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.18