sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Collections Menu
The Untilled Field
The Untilled Field
The Untilled Field
ArtistAmerican, 1895–1987
PublisherNew York, 1934–1981
CultureAmerican
Titles
  • The Untilled Field
Date1937
PlaceUnited States
MediumDrypoint on wove paper
DimensionsPlate: 5 7/8 × 7 7/16 in. (15 × 18.9 cm)
Sheet: 10 9/16 × 11 7/16 in. (26.8 × 29.1 cm)
Credit LineGift of Mr. and Mrs. Alvin S. Romansky
Object number85.373
Not on view

Explore Further

Object Type
Provenance Research Ongoing Inscriptions, Signatures and Marks
bottom left below plate in pencil " ' The Untilled Field ' "
bottom right below plate in pencil "Peggy Bacon"
Catalogue raisonnéAAA 123

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

The Spirit of Rain
Peggy Bacon
1937
Drypoint on wove paper
84.155
Aesthetic Pleasure
Peggy Bacon
1932
Lithograph on wove paper
35.28
The Priceless Find
Peggy Bacon
1943, published 1944
Lithograph on wove paper
76.213
Last Supper
Peggy Preheim
2000
Graphite on paper
2000.556
Liberty
Peggy Preheim
2000
Graphite on paper
2000.557
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
William Kentridge
2022, printed 2023
Collage of photogravure, sugar lift aquatint, direct gravure and drypoint on wove paper, watercolor on found ledger and encyclopedia papers printed chine collé, red colored pencils and aluminum pushpins, edition 16/20
2024.544
Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Portrait of Artist's Mother
Luis Jiménez
2002-04
Etching, drypoint, and aquatint on wove paper, state II/II, proof
2021.610
St. Martin de la Place
Earl Stroh
c. 1959
Etching and drypoint on wove paper, edition 19/75
2021.415
Peggy Bacon