Aquatint, photoetching, etching, soft ground etching, and drypoint in colors [left]; Aquatint, photoetching, soft ground etching and etching in colors on wove paper [right], working proof

Drypoint in colors; etching and aquatint in colors; screenprint in colors; woodcut in colors; and lithograph in colors on wove paper, artist's proof IV

Etching and spit bite aquatint in colors over lithograph in colors on wove paper, edition 27/35

Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65

Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10

Collage of etching, aquatint, and soft ground etching in colors with cut paper, on wove paper, edition 24/40

Etching, aquatint, and relief aquatint in colors on wove paper, artist’s proof

Eleven prints (lithograph in colors; etching; etching and aquatint) on wove paper from a portfolio of thirteen, edition 182/200

Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29

Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4

Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50

Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20