Artist
Claes Oldenburg American, Swedish, 1929–2022
Printer
Patricia Branstead
Print studio
Aeropress, Inc.New York
Publisher
Multiples, Inc.New York
CultureAmerican
Titles
- Postcard of the Spoon on Île St. Louis, with Needles
Date1979
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumSugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
DimensionsPlate: 12 5/8 × 10 1/2 in. (32.1 × 26.7 cm)
Sheet: 26 1/2 × 21 5/8 in. (67.3 × 54.9 cm)
Sheet: 26 1/2 × 21 5/8 in. (67.3 × 54.9 cm)
Credit LineGift of the El Paso Corporation
Object number2005.1193
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Inscriptions, Signatures and Marks
Recto: Editioned in graphite, lower left: 40/50
Recto: Signed and dated in graphite, lower right: Claes Oldenburg '79
Recto: Signed and dated in graphite, lower right: Claes Oldenburg '79
Recto: Signed and dated in graphite, lower right: Claes Oldenburg '79
Recto: Blindstamp, lower right: [overlapping M's] / MULTIPLES
Catalogue raisonnéAxsom Platzker 168
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
Kara Walker
1997
Etching and aquatint with spitbite, printed chine collé, on wove paper, edition 17/35
2015.286
Michelle Stuart
1989
Etching and aquatint in colors, printed chine collé, on paper, edition 25/40
91.1334
Michelle Stuart
1989
Etching and aquatint in colors, printed chine collé, on paper, edition 24/40
91.1333
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.850
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.849
![Untitled [3]](/internal/media/dispatcher/295173/thumbnail)
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Mimmo Paladino
1990
Screenprint in colors, woodcut, carborundum, drypoint, printed chine collé, etching, aquatint, and gauze on wove paper, edition 2/50
96.987
Mimmo Paladino
1984–1985
Drypoint and aquatint, printed chine collé, on wove paper, edition 35/40
2016.185