The Old Gods Have Retired
Artist
William Kentridge(South African, born 1955)South African, born 1955
CultureSouth African
Titles
- The Old Gods Have Retired
Date2022, printed 2023
MediumCollage of photogravure, sugar lift aquatint, direct gravure and drypoint on wove paper, watercolor on found ledger and encyclopedia papers printed chine collé,
red colored pencils and aluminum pushpins, edition 16/20
DimensionsSheet: 68 7/8 × 84 5/8 in. (175 × 214.9 cm)
Credit LineMuseum purchase funded by contemporary@mfah 2024
Object number2024.544
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryNone
Published References None Inscriptions, Signatures and Marks
Recto: Editioned in graphite, below image, left bottom edge: 16/20
Recto: Signed in graphite, below image, right bottom edge: W Kentridge [signed]
Verso: [inaccessible]
Recto: Signed in graphite, below image, right bottom edge: W Kentridge [signed]
Verso: [inaccessible]
Recto: Signed in graphite, below image, right bottom edge: W Kentridge [cursive]
Recto: Chopmark, below image, bottom left corner: DKW
Recto: Chopmark, below image, bottom left corner
Recto: Chopmark, below image, bottom left corner
Catalogue raisonnéNone
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Claes Oldenburg
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193
John Wilson, Jr.
2002
Etching, aquatint, lift ground, spit bite, drypoint, scraping and burnishing, printed chine collé, on wove paper, edition 23/50
2025.714
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Isca Greenfield-Sanders
2014
Direct to Plate Photogravure and aquatint in colors, printed chine colle on Gampi paper, edition 3/35
2018.300
Chris Ofili
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
Richard Serra
1991
Flatbite etching and sugar lift aquatint on Kozo and handmade wove papers, special proof 4/8
92.229
Elizabeth Peyton
2007
Direct gravure etching with aquatint on Gampi paper, edition 14/30
2018.224
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.850
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.849
John Cage
January 6, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, and found objects, edition 20/25
78.57.5
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
