Richmond Burton
Under the X's

Under the X's

© Richmond Burton / Artists Rights Society (ARS), New York

Under the X's
Under the X's
Print studioNew York
CultureAmerican
Titles
  • Under the X's
Date1994
PlaceUnited States
MediumEtching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
DimensionsPlate: 17 7/8 × 24 in. (45.5 × 61 cm)
Sheet: 24 7/16 × 29 9/16 in. (62.1 × 75.1 cm)
Credit LineMuseum purchase funded by an anonymous donor in memory of Chuck Falcione
Object number96.849
Not on view

Explore Further

Object Type
Provenance Research Ongoing Exhibition HistoryExhibited "Between the Lines", September 9 through December 10, 1996.

Exhibited in "Originality and Repetition: The Grid in Contemporary Works on Paper," at the Museum of Fine Arts, Houston, June 14 to September 11, 2005

Inscriptions, Signatures and Marks
The etching is signed and dated in pencil, under image: "18/20 Richmond Burton 1994". Embossed in the lower right corner: "Burnet Editions".

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Notes
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.850
Postcard of the Spoon on Île St. Louis, with Needles
Claes Oldenburg
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193
Day Six
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Day Seven
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
Day Five
John Cage
January 6, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, and found objects, edition 20/25
78.57.5
Day Four
John Cage
January 5, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, edition 20/25
78.57.4
Day Three
John Cage
January 4, 1978
Hard ground etching, drypoint, soft ground etching, and sugar aquatint, edition 20/25
78.57.3
Untitled [3]
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
3EP No. 3, 11.1.81
Frank Lobdell
1981
Soft ground and line etching, sugar lift aquatint, and drypoint on wove paper, edition 15/15
2014.914
Untitled [3]
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3