Nicole Eisenman
Beer Garden

Beer Garden

© Nicole Eisenman

Beer Garden
Beer Garden
ArtistAmerican, born 1965
PrinterAmerican, born 1951
PrinterAmerican, born 1955
PrinterAmerican, born 1988
PrinterAmerican, born 1992
PrinterAmerican, born 1990
Print studioNew York
CultureAmerican
Titles
  • Beer Garden
Date2012–2017
MediumEtching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
DimensionsPlate: 39 7/8 × 47 7/8 in. (101.3 × 121.6 cm)
Sheet: 44 1/2 × 51 7/8 in. (113 × 131.8 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2019.11
Not on view

Explore Further

Object Type
ProvenanceThe artist; [Harlan & Weaver, Inc., New York, 2018]; purchased by MFAH, 2018.
Exhibition Historynone for this impression
Inscriptions, Signatures and Marks
Recto: Signed and dated in graphite, below plate, right: Nicole Eisenman [cursive] 12•17’
Recto: Inscribed in graphite, below plate, left: 5/15
none
Catalogue raisonnénone

Cataloguing data may change with further research.

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Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Martin Luther King, Jr.
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
image provided by MFAH conservation department
Mimmo Paladino
1984–1985
Etching, spit bite etching and aquatint with roulette, printed chine collé, on wove paper, edition 35/40
2016.184
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Untitled (ocher)
Jasper Johns
1995
Mezzotint in colors, printed chine collé on gampi paper, laid down on wove handmade paper, edition 15/39
2016.89
Containers & Ropes
Sydney Yeager
1991
Etching and photoetching with roulette, printed chine collé, on wove paper, edition 5/15
2015.483
Vignette (Wishing Well)
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Park Place Variation
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457
Honky Tonk Moon
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
Three Parts
Susan Rothenberg
1988
Mezzotint with aquatint, scraping, burnishing, and roulette with chine-collé on gampi on laid paper, edition 13/44
2014.160