Artist
Kerry James Marshall (American, born 1955)American, born 1955
Print studioat
Paulson Fontaine Press(Berkeley, California)Berkeley, California
CultureAmerican
Titles
- Vignette (Wishing Well)
Date2010
MediumAquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
DimensionsPlate: 44 1/2 × 34 in. (113 × 86.4 cm)
Sheet: 53 3/8 × 41 in. (135.6 × 104.1 cm)
Sheet: 53 3/8 × 41 in. (135.6 × 104.1 cm)
Credit LineMuseum purchase funded by Cecily E. Horton, Kerry Inman and Denby Auble, Betty Moody, Erin Dorn, Kelly and Nicholas Silvers, in honor of Lauren Rosenblum, Wade Wilson in honor of Dena M. Woodall, Rhoda Ferris, and Julie Barry at Art + Paper 2017
Object number2017.284
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition Historynone for this impression.
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below image, left: AP/10
Recto: Signed in graphite, below image, right: Kerry James Marshall 2010
Verso: [none]
Recto: Signed in graphite, below image, right: Kerry James Marshall 2010
Verso: [none]
Recto: Signed in graphite, below image, right: Kerry James Marshall 2010
Verso: [none]
Verso: [none]
Recto: Chopmark, bottom right corner: [Paulson Fontaine Press]
Verso: [none]
Verso: [none]
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
![Untitled [3]](/internal/media/dispatcher/295547/thumbnail)
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
![Untitled [2]](/internal/media/dispatcher/295569/thumbnail)
Eric Fischl
1985
Sugar lift aquatint, scraping, and drypoint in colors, artist's proof X/X
96.22.2
![Untitled [1]](/internal/media/dispatcher/295546/thumbnail)
Eric Fischl
1985
Sugar lift aquatint, scraping, and drypoint in colors, artist's proof X/X
96.22.1
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
![Untitled [4]](/internal/media/dispatcher/295548/thumbnail)
Eric Fischl
1985
Sugar lift aquatint, scraping, drypoint and roulette in purple, orange, and black, artist's proof X/X
96.22.4
Chris Ofili
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457
Suzanne Manns
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
![Untitled [9]](/internal/media/dispatcher/292262/thumbnail)
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9