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Untitled

© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Untitled
Untitled
ArtistBritish, born 1949
CultureEnglish
Titles
  • Untitled
  • from the portfolio Die 1. Ära (The First State)
Date1991
MediumSpit bite and sugar lift aquatint on wove paper, edition 10/18
DimensionsPlate: 11 5/8 × 9 15/16 in. (29.5 × 25.2 cm)
Sheet: 20 7/8 × 16 3/16 in. (53 × 41.1 cm)
Credit LineMuseum purchase funded by Max and Isabell Smith Herzstein, the M.D. Anderson Foundation, Ralph S. O'Connor, Sue Rowan Pittman, Mr. and Mrs. John Glenn Yeager, Dr. and Mrs. Gene Carlton, Jr., Mr. Stephen Cordill, Mr. and Mrs. Louis Cushman, Julia Flowers, Mrs. Boyd Mullen, Lesley Schlumberger, Sally Tinkham, Dr. Douglas Koch, Mr. and Mrs. Gordon Menard, Fred Sullins, Monte Tinkham, and various other donors
Object number93.58.13
Not on view

Explore Further

Object Type
Provenance Research Ongoing Inscriptions, Signatures and Marks
bottom left below image in pencil "10/18"
bottom right below image in pencil "Tony Cragg"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled
Tony Cragg
1991
Spit bite aquatint on wove paper, edition 10/18
93.58.1
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Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Black Leaf
Chris Ofili
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
Resurrection Story with Patrons
Kara Walker
2017
Etchings with aquatint, sugar-lift, spit bite, and drypoint on wove paper, edition 12/25
2017.378.1-.3
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Untitled
Jasper Johns
2005
Drypoint, sugar lift and spit-bite aquatint on handmade leather paper, edition 13/15
2005.1834.A,.B
Untitled [9]
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Untitled [4]
John Baldessari
1982
Photoetching, spit-bite, and sugar lift aquatint in colors, edition 9/35
96.1.4
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Untitled
Tony Cragg
1991
Etching, edition 10/18
93.58.10
Untitled
Tony Cragg
1991
Etching, edition 10/18
93.58.9
Tony Cragg