Martin Disler
Untitled [5]

Untitled [5]

© Irene Grundel Disler

Untitled [5]
Untitled [5]
ArtistSwiss, 1949–1996
Print studioNew York
CultureSwiss
Titles
  • Untitled [5]
  • from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumPhoto etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
DimensionsPlate: 20 15/16 × 28 3/4 in. (53.2 × 73 cm)
Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.5
Non exposé

Explore Further

Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled [3]
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Untitled [6]
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
Untitled [8]
Martin Disler
1981
Photo etching, aquatint, and sugar lift aquatint, edition I/X
96.18.8
Untitled [7]
Martin Disler
1981
Photo etching, aquatint, and soft ground etching, edition I/X
96.18.7
Untitled [4]
Martin Disler
1981
Photo etching, aquatint, etching, and scraping, edition I/X
96.18.4
Untitled [2]
Martin Disler
1981
Photoetching and soft ground etching, edition I/X
96.18.2
Untitled
Eric Fischl
1984
Sugar lift aquatint, soft ground etching, and scraping, edition X/X
96.21
Untitled (Boy with Dog)
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.5
Untitled [3]
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Untitled (Man Dressing)
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.4
Untitled (Three Men Standing)
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.3