Aquatint, photoetching, etching, soft ground etching, and drypoint in colors [left]; Aquatint, photoetching, soft ground etching and etching in colors on wove paper [right], working proof

Drypoint in colors; etching and aquatint in colors; screenprint in colors; woodcut in colors; and lithograph in colors on wove paper, artist's proof IV

Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65

Etching and spit bite aquatint in colors over lithograph in colors on wove paper, edition 27/35

Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10

Collage of etching, aquatint, and soft ground etching in colors with cut paper, on wove paper, edition 24/40

Etching, aquatint, and relief aquatint in colors on wove paper, artist’s proof

Eleven prints (lithograph in colors; etching; etching and aquatint) on wove paper from a portfolio of thirteen, edition 182/200

Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29

Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4

Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50

Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20