Kiki Smith
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© Kiki Smith, courtesy Pace Gallery

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ArtistAmerican, born Germany, 1954
CultureAmerican
Titles
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Date2006
MediumSpit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
DimensionsPlate: 20 × 25 in. (50.8 × 63.5 cm)
Sheet: 26 1/2 × 31 in. (67.3 × 78.7 cm)
Credit LineGift of Renée and Stanford Wallace
Object number2017.136
Non exposé

Explore Further

Object Type
Provenance Research Ongoing Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, left: 8/20
Recto: Signed and dated in graphite, below plate, right: Kiki Smith 2006
Verso: [inaccessible]
Recto: Signed and dated in graphite, below plate, right: Kiki Smith 2006
Verso: [inaccessible]
Recto: Chopmark, bottom right corner: Crown Point Press / Emily York [CPP symbol]
Verso: [inaccessible]

Cataloguing data may change with further research.

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Beer Garden
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Martin Luther King, Jr.
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Park Place Variation
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Postcard of the Spoon on Île St. Louis, with Needles
Claes Oldenburg
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193
image provided by MFAH conservation department
Mimmo Paladino
1984–1985
Etching, spit bite etching and aquatint with roulette, printed chine collé, on wove paper, edition 35/40
2016.184
Honky Tonk Moon
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
Heart of Darkness
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof I/V
2008.182
Chauncy's Garden
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof IV/V
2008.181
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106