Julian Schnabel
A Boy from Naples

A Boy from Naples

© Julian Schnabel / Artists Rights Society (ARS), New York

A Boy from Naples
A Boy from Naples
PublisherNew York
CultureAmerican
Titles
  • A Boy from Naples
Date1983–1985
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumEtching and spit bite aquatint in colors over lithograph in colors on wove paper, edition 27/35
DimensionsSheet: 72 1/2 × 49 1/4 in. (184.2 × 125.1 cm)
Credit LineMuseum purchase funded by the Museum Collectors
Object number88.110
Non exposé

Explore Further

Object Type
Provenance Research Ongoing Exhibition History"Singular and Plural: Recent Accessions, Post-War Drawings and Prints," The Museum of Fine Arts, Houston, June 6—August 8, 1992.

"Patrons Choice: The Silver Anniversary of The Museum Collectors, The Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, September 18, 2004—January 30, 2005. Millennium Gallery and Public Corridor.

"Defining the Body: Contemporary Figuration on Paper," The Museum of Fine Arts, Houston, August 1—November 1, 2015.

Cataloguing data may change with further research.

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Mother
Julian Schnabel
1983–1985
Aquatint, hard ground etching over lithographed map in nine colors
88.33
Untitled [9]
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Untitled [4]
John Baldessari
1982
Photoetching, spit-bite, and sugar lift aquatint in colors, edition 9/35
96.1.4
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Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Honky Tonk Moon
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
Heart of Darkness
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof I/V
2008.182
Chauncy's Garden
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof IV/V
2008.181
image provided by MFAH conservation department
Mimmo Paladino
1984–1985
Etching, spit bite etching and aquatint with roulette, printed chine collé, on wove paper, edition 35/40
2016.184
Un' immagine oscura (An Obscure Image)
Enzo Cucchi
1982
Spit-bite aquatint, etching, and drypoint with screenprint in colors
96.15