© Jim Hodges, Courtesy the artist and Gladstone Gallery, New York and Brussels, Stephen Friedman Gallery, London, Anthony Meier Fine Arts, San Francisco
Artist
Jim Hodges (American, born 1957)American, born 1957
PrinterPrinted by Cole Rogers at
Highpoint Center for Printmaking(Minneapolis, established 2001)Minneapolis, established 2001
PublisherPublished by
Highpoint Editions(Minneapolis)Minneapolis
PublisherPublished by
Walker Art Center(Minneapolis)Minneapolis
CultureAmerican
Titles
- Winter Speaks
Date2015
MediumEtching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
DimensionsPlate/Image: 26 3/4 × 23 3/4 in. (68 × 60.3 cm)
Sheet: 41 1/16 × 30 3/8 in. (104.3 × 77.1 cm)
Sheet: 41 1/16 × 30 3/8 in. (104.3 × 77.1 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment
Object number2021.502
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Inscriptions, Signatures and Marks
Recto: Chopmark, below plate, bottom left: HP [Highpoint Center for Printmaking]
Verso: [none]
Verso: [none]
Cataloguing data may change with further research.
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Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Jim Hodges
2019
Cut and pasted photolithograph in colors and screenprint on kozo paper; lithograph, inkjet print and screenprint in colors and metal foils on wove paper, edition 22/28
2020.163
Suzanne Manns
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
Susan Rothenberg
1988
Mezzotint with aquatint, scraping, burnishing, and roulette with chine-collé on gampi on laid paper, edition 13/44
2014.160
Jasper Johns
2005
Drypoint, sugar lift and spit-bite aquatint on handmade leather paper, edition 13/15
2005.1834.A,.B
Kara Walker
2017
Etchings with aquatint, sugar-lift, spit bite, and drypoint on wove paper, edition 12/25
2017.378.1-.3
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Chris Ofili
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
