Artist
Michelle Stuart (American, born 1933)American, born 1933
Print studio
Branstead Studio(New York)New York
Publisher
Diane Villani Editions(New York)New York
CultureAmerican
Titles
- Voyage to the South Seas: Flora Otaheite
Date1989
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumCollage of etching, aquatint, and soft ground etching in colors with cut paper, on wove paper, edition 24/40
DimensionsPlate: 23 1/2 × 30 in. (59.7 × 76.2 cm)
Sheet: 26 3/4 × 33 in. (67.9 × 83.8 cm)
Sheet: 26 3/4 × 33 in. (67.9 × 83.8 cm)
Credit LineGift of the artist and Diane Villani Editions
Object number91.1335
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular and Plural: Recent Accessions, Post-War Drawings and Prints," The Museum of Fine Arts, Houston, June 6—August 8, 1992.
"Overhead and Under Foot," The Museum of Fine Arts, Houston, October 11, 2016—January 29, 2017.
Inscriptions, Signatures and Marks
Recto: Signed and dated in graphite, lower left: Michelle Stuart 1989
Recto: Inscribed in graphite, lower right: 24/40
Recto: Inscribed in graphite, lower right: 24/40
Recto: Signed and dated in graphite, lower left: Michelle Stuart 1989
Recto: Watermark, top: C.M. FABRIANO 100/100 COTTON [upside down, repeating]
Recto: Wartermark, lower edge: [Fabriano, partial]
Recto: Wartermark, lower edge: [Fabriano, partial]
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Michelle Stuart
1989
Etching and aquatint in colors, printed chine collé, on paper, edition 24/40
91.1333
Michelle Stuart
1989
Etching and aquatint in colors, printed chine collé, on paper, edition 25/40
91.1334
Claes Oldenburg
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193
James Turrell
c. 1988
Aquatint, photoetching, etching, soft ground etching, and drypoint in colors [left]; Aquatint, photoetching, soft ground etching and etching in colors on wove paper [right], working proof
96.470
David Hockney
1964
Etching, aquatint, and soft ground aquatint with scraping on wove paper, edition 24/50
2016.55
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Théophile Alexandre Steinlen
1902
Soft ground etching, aquatint, and drypoint in colors on cream wove paper, state II/II, edition 17/25
2013.595
![[Working proof, second of two states]](/internal/media/dispatcher/294666/thumbnail)
Eric Fischl
no date
Sugar lift aquatint and soft ground etching in colors and scraping with hand additions in watercolor; figure partially cut out
96.153
![[Working proof, second of two states]](/internal/media/dispatcher/294665/thumbnail)
Eric Fischl
no date
Sugar lift aquatint and soft ground etching in colors with scraping, figure partially cut out [recto]; Crayon drawing [verso]
96.152
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
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