Martin Puryear
Untitled (State 1)

taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx

© Martin Puryear, Courtesy Matthew Marks Gallery

Untitled (State 1)
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
ArtistAmerican, born 1941
Print studioBay Shore, New York
PublisherBay Shore, New York
CultureAmerican
Titles
  • Untitled (State 1)
Date2016
MediumDrypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
DimensionsPlate: 35 11/16 × 35 11/16 in. (90.7 × 90.6 cm)
 Sheet: 41 × 40 1/16 in. (104.1 × 101.7 cm)
Credit LineMuseum purchase funded by Theodore J. Lee and Marc Sekula
Object number2017.106
Non exposé

Explore Further

Department
Prints and Drawings
Object Type
ProvenanceThe artist and [Universal Limited Art Editions, Bay Shore, New York]; [to Hiram Butler Gallery, Houston, by 2017]; purchased by MFAH, 2017.
Exhibition History"Line Into Space," The Museum of Fine Arts Houston, Oct. 28, 2020 – July 27, 2021. [Inaugural Installation: Kinder Building 312: No Catalog]

"In Print: Universal Limited Art Editions" The Museum of Fine Arts Houston, March 9, 2024-Sept. 2, 2024 [Sixth Installation/Light-Sensitive Rotation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below image, left: 8/29
Recto: Signed and dated in graphite, below image, right: BAT M Puryear 20 Sept 2016
Verso: [none]
Recto: Signed and dated in graphite, below image, right: BAT M Puryear 20 Sept 2016
Verso: [none]
Recto: Chopmark, bottom left corner: ULAE
Verso: [none]

Cataloguing data may change with further research.

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Image received from curatorial
Walton Ford
Pestvogel
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
FUGE
Toni Goessler-Snyder
FUGE
1979
Etching with sugar lift and open bite printed in colors à la poupée on wove paper
2005.345
[Proof]
David Rabinowitch
[Proof]
1992
Etching and soft ground etching with scraping, bon à tirer
96.325
Untitled [9]
John Baldessari
Untitled [9]
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Untitled [3]
Martin Disler
Untitled [3]
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Metaphors of Adolescence: 6:45
Beth Secor
Metaphors of Adolescence: 6:45
1993
Etching and aquatint on wove paper, bon à tirer
2021.613
Metaphors of Adolescence: 4:11
Beth Secor
Metaphors of Adolescence: 4:11
1993
Etching and aquatint on wove paper, bon à tirer
2021.612
Metaphors of Adolescence: 9:15
Beth Secor
Metaphors of Adolescence: 9:15
1993
Etching and aquatint on wove paper, bon à tirer
2021.611
Home
Kiki Smith
Home
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Vignette (Wishing Well)
Kerry James Marshall
Vignette (Wishing Well)
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Winter Speaks
Jim Hodges
Winter Speaks
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Postcard of the Spoon on Île St. Louis, with Needles
Claes Oldenburg
Postcard of the Spoon on Île St. Louis, with Needles
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193