Toni Goessler-Snyder
FUGE

FUGE
FUGE
FUGE
ArtistGerman, 1942–1982, active United States
CultureGerman
Titles
  • FUGE
Date1979
MediumEtching with sugar lift and open bite printed in colors à la poupée on wove paper
DimensionsPlate: 22 × 22 in. (55.9 × 55.9 cm)
Sheet: 31 3/8 × 29 1/2 in. (79.7 × 74.9 cm)
Credit LineGift of Helen Williams Drutt English
Object number2005.345
Current Location
The Nancy and Rich Kinder Building
Gallery 206
Exposé

Explore Further

Object Type
ProvenanceThe artist; to Hellen Williams Drutt English, Philadelphia, by 2005; given to MFAH, 2005.
Inscriptions, Signatures and Marks
Marked in pencil lower left below the image: "4/50 ev"

Marked in pencil lower center below the image: "FUGE"

Marked in pencil lower right below the image: "TONI © 1979"
Watermark: Recto lower right: ARCHES FRANCE (two lines)
Chopmark: Recto bottom right: [alphabet monogram, possibly “g” and “s”?]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Last Breath
Julie Mehretu
2018
Photopolymer etching and aquatint in colors printed à la poupée on wove paper, edition 10/45
2019.501
The Burial of General Fraser
William Nutter
1794
Stipple engraving, engraving, and etching printed in colors à la poupée on wove paper
B.2017.16
Untitled
Alfredo Zalce
1947
Etching in colors with roulette inked à la poupée on wove paper
2007.86
Phoenix
Christiane Baumgartner
2018
Woodcut in colors from one block, inked à la poupée in blue, red, pink and orange inks and hand-printed multiple times on Korean Mulberry paper, edition 4/6 (varied)
2018.236
Tête de Flore (Head of Flora)
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
Reconciling Attitudes #5
Suzanne Manns
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
John Baldessari
no date
Photoetching and aquatint in colors, with color added à la poupée
96.89.6
John Baldessari
no date
Photoetching and aquatint in colors, with color added à la poupée
96.89.7
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Untitled, from the portfolio Omaggio a Michelangelo (Homage to Michelangelo)
David Hockney
1975
Etching à la poupée, edition 182/200
2022.129.4
Untitled
David Hockney
1975
Etching à la poupée, edition 165/200
91.1666.5