John Cage
Where There is Where There--Urban Landscape No. 6

Where There is Where There--Urban Landscape No. 6
Where There is Where There--Urban Landscape No. 6
Where There is Where There--Urban Landscape No. 6
ArtistAmerican, 1912–1992
Print studio
CultureAmerican
Titles
  • Where There is Where There--Urban Landscape No. 6
Date1987/1989
Printed inSan Francisco, California, United States
Published inSan Francisco, California, United States
MediumFlat bite etching in colors and aquatint on wove paper, edition 6/48
DimensionsSheet: 23 1/8 × 30 1/16 in. (58.8 × 76.3 cm)
Plate: 17 7/8 × 24 in. (45.4 × 61 cm)
Credit LineGift of Renée and Stanford Wallace
Object number2016.50
Not on view

Explore Further

Object Type
Provenance[Crown Point Press, San Francisco], as of July 19, 2002; sold to Renée and Stanford Wallace, Houston, 2002-2016; MFAH, 2016.
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below image, lower left: Where There is Where There 6 / Urban Landscape
Recto: Inscribed in graphite, below image, bottom righ: John Cage ’87 / ‘89
Recto: Inscribed in graphite, below image, bottom righ: John Cage ’87 / ‘89
Recto: Chopmark, right bottom edge: [Crown Point Press] / [Marcia Bartholme]
Watermark: [None]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Beer Garden
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
A Boy from Naples
Julian Schnabel
1983–1985
Etching and spit bite aquatint in colors over lithograph in colors on wove paper, edition 27/35
88.110
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Day Six
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Day Seven
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Honky Tonk Moon
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
Heart of Darkness
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof I/V
2008.182
Chauncy's Garden
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof IV/V
2008.181
Untitled [9]
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Vignette (Wishing Well)
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284