Artist
Earl StaleyAmerican, born 1938
Printer
Penny Cerling American, born 1946
Publisher
Little Egypt EnterprisesHouston
CultureAmerican
Titles
- Drunkenness of Noah
- from the series A Collection of Myths and Stories
Date1983
Published inHouston, Texas, United States
MediumEtching, aquatint, and sugar lift in colors on paper, edition 10/10
DimensionsPlate: 8 3/4 × 11 7/8 in. (22.2 × 30.2 cm)
Sheet: 18 1/8 × 20 1/8 in. (46 × 51.1 cm)
Sheet: 18 1/8 × 20 1/8 in. (46 × 51.1 cm)
Credit LineGift of Penelope Cerling and Jeff Skarda in memory of Bruce Hastings
Object number2011.754.3
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Numbered below plate lower left in pencil 10/10
Numbered verso lower left in pencil: LEE 284
Numbered verso lower left in pencil: LEE 284
Signed and dated below plate lower right in pencil: Staley 83
Embossed lower right: [pyramid] [fountain pen nib]
The pyramid shape is the emblem for Little Egypt Enterprises
The pyramid shape is the emblem for Little Egypt Enterprises
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Earl Staley
1983
Etching, aquatint, and sugar lift in colors on paper, edition 6/10
2011.754.4
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Earl Staley
1986
Etching and aquatint in colors on paper, edition 8/25
2011.754.6
Earl Staley
1983
Soft ground etching in colors on paper, edition 14/20
2011.754.2
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Julie Mehretu
2018
Photopolymer etching and aquatint in colors printed à la poupée on wove paper, edition 10/45
2019.501
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Claes Oldenburg
1979
Sugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
2005.1193
![Untitled [9]](/internal/media/dispatcher/292258/thumbnail)
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9