Martin Disler
Untitled [3]

Untitled [3]

© Irene Grundel Disler

Untitled [3]
Untitled [3]
ArtistSwiss, 1949–1996
Print studioNew York
CultureSwiss
Titles
  • Untitled [3]
  • from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumPhoto etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
DimensionsPlate (left): 21 × 14 3/8 in. (53.3 × 36.5 cm)
Plate (right): 21 × 14 7/16 in. (53.3 × 36.7 cm)
Sheet: 22 1/8 x 29 13/16 in. (56.2 x 75.7 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.3
Non exposé

Explore Further

Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left corner of sheet: "I/X".
Signed in pencil, lower right corner of sheet: "Martin Disler".

Cataloguing data may change with further research.

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Untitled [5]
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Untitled [6]
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
Untitled [7]
Martin Disler
1981
Photo etching, aquatint, and soft ground etching, edition I/X
96.18.7
Untitled [3]
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
Untitled [8]
Martin Disler
1981
Photo etching, aquatint, and sugar lift aquatint, edition I/X
96.18.8
Untitled [4]
Martin Disler
1981
Photo etching, aquatint, etching, and scraping, edition I/X
96.18.4
Untitled
Eric Fischl
1984
Sugar lift aquatint, soft ground etching, and scraping, edition X/X
96.21
Day Six
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Day Seven
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
Day Five
John Cage
January 6, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, and found objects, edition 20/25
78.57.5
Day Four
John Cage
January 5, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, edition 20/25
78.57.4
Untitled (Three Men Standing)
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.3