Enzo Cucchi
L'Elefante di Giotto (Giotto's Elephant)

L'Elefante di Giotto (Giotto's Elephant)

© Enzo Cucchi

L'Elefante di Giotto (Giotto's Elephant)
L'Elefante di Giotto (Giotto's Elephant)
ArtistItalian, born 1950
Print studioRome
PublisherNew York
CultureItalian
Titles
  • L'Elefante di Giotto (Giotto's Elephant)
Date1986
PlaceNew York City, New York, United States
MediumSpit-bite aquatint, scraping, and drypoint in colors
DimensionsPlate: 54 3/16 × 100 15/16 in. (137.6 × 256.4 cm)
 Sheet: 58 1/8 × 104 5/16 in. (147.6 × 265 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.17
Non exposé

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left corner: "16/45".
Signed in pencil, lower right corner: "Enzo Cucchi"

Cataloguing data may change with further research.

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1982
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96.15
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Jim Hodges
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2015
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2021.502
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Enzo Cucchi
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Aquatint, etching, stencil and drypoint, with embossing in colors
96.16.A
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1984–1985
Aquatint, etching, stencil and drypoint, with embossing in colors
96.16.B
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2006
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2017.136
Image received from curatorial
Walton Ford
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2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
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Nicole Eisenman
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2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
La lupa di Roma (The Wolf of Rome)
Enzo Cucchi
La lupa di Roma (The Wolf of Rome)
1984–1985
Aquatint, etching, and stencil, with embossing in colors
96.16.C
Proof of second state of black plate and only state of brown plate for L'artificio (Artifice)
Sandro Chia
Proof of second state of black plate and only state of brown plate for L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.140
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
Sandro Chia
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
provided by lender
Jim Hodges
‘ɹǝɯɯnS ɟo’
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269