Artist
Nicole Eisenman(American, born 1965)American, born 1965
Printer
Felix Harlan (American, born 1951)American, born 1951
Printer
Carol Weaver(American, born 1955)American, born 1955
Printer
Derick Wycherly(American, born 1988)American, born 1988
Printer
Vincent Chong(American, born 1992)American, born 1992
Printer
Sarah Smith(American, born 1990)American, born 1990
Print studio
Harlan & Weaver(New York)New York
PublisherPublished by
Harlan & Weaver(New York)New York
CultureAmerican
Titles
- Beer Garden
Date2012–2017
MediumEtching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
DimensionsPlate: 39 7/8 × 47 7/8 in. (101.3 × 121.6 cm)
Sheet: 44 1/2 × 51 7/8 in. (113 × 131.8 cm)
Sheet: 44 1/2 × 51 7/8 in. (113 × 131.8 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2019.11
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition Historynone for this impression
Inscriptions, Signatures and Marks
Recto: Signed and dated in graphite, below plate, right: Nicole Eisenman [cursive] 12•17’
Recto: Inscribed in graphite, below plate, left: 5/15
Recto: Inscribed in graphite, below plate, left: 5/15
none
Catalogue raisonnénone
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
Mimmo Paladino
1984–1985
Etching, spit bite etching and aquatint with roulette, printed chine collé, on wove paper, edition 35/40
2016.184
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Jasper Johns
1995
Mezzotint in colors, printed chine collé on gampi paper, laid down on wove handmade paper, edition 15/39
2016.89
Sydney Yeager
1991
Etching and photoetching with roulette, printed chine collé, on wove paper, edition 5/15
2015.483
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
Susan Rothenberg
1988
Mezzotint with aquatint, scraping, burnishing, and roulette with chine-collé on gampi on laid paper, edition 13/44
2014.160