Artist
Kara Walker(American, born 1969)American, born 1969
PrinterPrinted by
Burnet Editions(New York)New York
CultureAmerican
Titles
- Resurrection Story with Patrons
Date2017
MediumEtchings with aquatint, sugar-lift, spit bite, and drypoint on wove paper, edition 12/25
DimensionsPlate (.1): 32 1/2 × 23 3/4 in. (82.6 × 60.3 cm)
Sheet (.1): 39 3/4 × 30 in. (101 × 76.2 cm)
Plate (.2): 32 1/2 × 42 3/4 in. (82.6 × 108.6 cm)
Sheet (.2): 39 1/2 × 48 1/2 in. (100.3 × 123.2 cm)
Plate (.3): 32 3/4 × 23 3/4 in. (83.2 × 60.3 cm)
Sheet (.3): 39 3/4 × 30 in. (101 × 76.2 cm)
Sheet (.1): 39 3/4 × 30 in. (101 × 76.2 cm)
Plate (.2): 32 1/2 × 42 3/4 in. (82.6 × 108.6 cm)
Sheet (.2): 39 1/2 × 48 1/2 in. (100.3 × 123.2 cm)
Plate (.3): 32 3/4 × 23 3/4 in. (83.2 × 60.3 cm)
Sheet (.3): 39 3/4 × 30 in. (101 × 76.2 cm)
Credit LineMuseum purchase funded by Bill Pritchard, Ralph Eads, Tony Petrello, Gary Petersen, and Doug Schnitzer at "One Great Night in November, 2017"
Object number2017.378.1-.3
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition Historynone noted for these impressions
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, left: 12/25
Recto: Signed and dated in graphite, below plate, right: KW 2017
Verso: Signed in graphite: KW 16498
Verso: Signed in graphite: KW 16498
none noted
Catalogue raisonnénone
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Chris Ofili
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
Jasper Johns
2005
Drypoint, sugar lift and spit-bite aquatint on handmade leather paper, edition 13/15
2005.1834.A,.B
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
![Untitled [9]](/internal/media/dispatcher/292262/thumbnail)
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
![Untitled [4]](/internal/media/dispatcher/292259/thumbnail)
John Baldessari
1982
Photoetching, spit-bite, and sugar lift aquatint in colors, edition 9/35
96.1.4
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457