Wayne Thiebaud
Park Place Variation

Park Place Variation

© Wayne Thiebaud / Licensed by VAGA at Artists Rights Society (ARS), NY

Park Place Variation
Park Place Variation
ArtistAmerican, 1920–2021
Print studio
Publisher
CultureAmerican
Titles
  • Park Place Variation
Date1995
PlaceUnited States
MediumHard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
DimensionsSheet: 29.25 x 20.5 in. (74.3 x 52.07 cm)
Credit LineGift of Michael A. Caddell and Cynthia Chapman
Object number98.457
Non exposé

Explore Further

Department
Prints and Drawings
Object Type
Provenance Research Ongoing Exhibition History"Fear and Wonder: Sublime Landscapes on Paper – Selections from the Museum’s Collection," Museum of Fine Arts, Houston, February 12–August 4, 2019.

Cataloguing data may change with further research.

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Kiki Smith
Home
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Image received from curatorial
Walton Ford
Pestvogel
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Untitled [6]
John Baldessari
Untitled [6]
1982
Photoetching, soft ground etching, and spit-bite aquatint in black, gray, and blue, edition 9/35
96.1.6
Vignette (Wishing Well)
Kerry James Marshall
Vignette (Wishing Well)
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Untitled [9]
John Baldessari
Untitled [9]
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9
Martin Luther King, Jr.
John Wilson, Jr.
Martin Luther King, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
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Nicole Eisenman
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2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
image provided by MFAH conservation department
Mimmo Paladino
Intermezzo
1984–1985
Etching, spit bite etching and aquatint with roulette, printed chine collé, on wove paper, edition 35/40
2016.184
Overall recto.
Betye Saar
One Lost Spring
1962
Soft ground and hard ground etching with spit bite etching on wove paper, artist's proof #2
2023.15
Day Six
John Cage
Day Six
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Day Seven
John Cage
Day Seven
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
L'artificio (Artifice)
Sandro Chia
L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping, and open bite with asphaltum in brown and black on wove paper, edition I/X
96.12.1