Jim Hodges
‘ɹǝɯɯnS ɟo’

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Artist Jim Hodges (American, born 1957)American, born 1957

Print studio Highpoint Center for Printmaking(Minneapolis, established 2001)Minneapolis, established 2001

Publisher Highpoint Editions(Minneapolis)Minneapolis

CultureAmerican

Titles

‘ɹǝɯɯnS ɟo’

Date2016

Printed inMinneapolis, Minnesota, United States

Published inMinneapolis, Minnesota, United States

MediumIntaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28

DimensionsPlate: 34 × 24 in. (86.4 × 61 cm)
Sheet: 41 × 30 1/2 in. (104.1 × 77.5 cm)

Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund and Linda and David Dillahunty

Object number2017.269

Non exposé

Explore Further

Department

Prints and Drawings

Object Type

PRINTS

ProvenanceThe artist and [Highpoint Editions, Minneapolis and Walker Art Center, Minneapolis]; purchased by MFAH, 2017.
Exhibition History"Fear and Wonder: Sublime Landscapes on Paper – Selections from the Museum’s Collection," Museum of Fine Arts, Houston, February 12–August 4, 2019.

"To the Skylark," The Museum of Fine Arts Houston, Oct. 28, 2020 – July 27, 2021. [Inaugural Installation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks

Recto: Inscribed in graphite, below plate, left: PP 4/4
Recto: Inscribed in graphite, below plate, center: ɹǝɯɯnS ɟo
Recto: Signed and dated in graphite, below plate, right: Jim Hodges 2016
Verso: [inaccessible]

Recto: Signed and dated in graphite, below plate, right: Jim Hodges 2016
Verso: [inaccessible]

Recto: Chopmark, below plate, left: [Highpoint Center for Printmaking]
Verso: [inaccessible]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20

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