Chris Ofili
Black Leaf

En lire plusFavori

Images(2)

Artist Chris Ofili(British, born 1968)British, born 1968

Print studio Crown Point Press(San Francisco, since 1987)

Publisher Crown Point Press(San Francisco, since 1987)

CultureBritish

Titles

Black Leaf
from the series Rincon Falls

Date2008

Published inSan Francisco, California, United States

Printed inSan Francisco, California, United States

MediumColor spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20

DimensionsPlate: 23 1/2 × 14 3/4 in. (59.7 × 37.5 cm)
Sheet: 32 1/2 × 22 7/8 in. (82.6 × 58.1 cm)

Credit LineMuseum purchase funded by Kelly and Nicholas Silvers; Linda and David Dillahunty; Elinor Earle; the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors; and various funders in memory of Charlotte Ewart

Object number2015.94

Non exposé

Explore Further

Department

Prints and Drawings

Object Type

PRINTS

ProvenanceThe artist and [Crown Point Press, San Francisco, 2014]; purchased by MFAH, 2015.
Inscriptions, Signatures and Marks

Recto: Inscribed in graphite, below plate, lower left: TPV
Recto: Inscribed in graphite, below plate, lower center: Rincon Falls—Black Leaf
Recto: Signed and dated in graphite, below plate, lower right: Chris Ofili [illegible] 08

Recto: Signed and dated in graphite, below plate, lower right: Chris Ofili [illegible] 08

Recto: Blindstamp, right bottom edge: Crown Point Press / [illegible]
Recto: Blindstamp, right bottom edge: [swirling CPP – Crown Point Press logo]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Découvrir plus

Kerry James Marshall

Vignette (Wishing Well)

2010

Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10

2017.284

Jim Hodges

Winter Speaks

2015

Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4

2021.502

Walton Ford

Pestvogel

2016

Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65

2018.396

Jim Hodges

‘ɹǝɯɯnS ɟo’

2016

Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28

2017.269