Artist
Vija Celmins (American, born Latvia, 1938)American, born Latvia, 1938
Print studio
Gemini G.E.L. (Los Angeles)Los Angeles
Publisher
Gemini G.E.L. (Los Angeles)Los Angeles
CultureAmerican
Titles
- Untitled (Web 3)
Date2002, published 2003
Published inLos Angeles, California, United States
MediumAquatint with burnishing, scraping, and drypoint, edition 24/65
DimensionsPlate: 15 × 19 in. (38.1 × 48.3 cm)
Sheet: 20 1/8 × 24 1/8 in. (51.1 × 61.3 cm)
Sheet: 20 1/8 × 24 1/8 in. (51.1 × 61.3 cm)
Credit LineMuseum purchase funded by the Alice Pratt Brown Museum Fund
Object number2008.12
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Marked in pencil, lower left below the image: "24/65"
Signed in pencil, lower right below the image: "V. Celmins '02"
Gemini blindstamp, recto lower right
Stamped on verso lower left: "Published by Gemini G.E.L. LLC / Los Angeles, California / (in pencil) VC02-3332"
Stamped on verso lower left: "Published by Gemini G.E.L. LLC / Los Angeles, California / (in pencil) VC02-3332"
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Vija Celmins
2016
Series of five mezzotints, two with colored pencil (no. 2 and no. 5), on wove paper, edition 21/35 (nos. 1-4) and edition 21/35 (no. 5)
2018.43.1-.5
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Pablo Picasso
1934
Etching, aquatint and drypoint with scraping and burnishing
2004.832
Richard Gordon Stout
1994
Aquatint, scraping, burnishing, and etching, edition 2/20
99.275
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
