Gonzalo Fonseca
Columbarium I

Columbarium I

© 1966 Estate of Gonzalo Fonseca

Columbarium I
Columbarium I
ArtistUruguayan, 1922–1997
CultureUruguayan
Titles
  • Columbarium I
Date1966
MediumScaffolding wood, nails, strings, and paint
Dimensions87 × 37 1/2 × 9 in. (221 × 95.3 × 22.9 cm)
Credit LineMuseum purchase funded by the 2009 Latin American Experience Gala and Auction, and Bernard Chappard in memory of Daniela Chappard
Object number2009.573
Current Location
The Nancy and Rich Kinder Building
Gallery 205
On view

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Object Type
Description

Operating as both relief and assemblage, Columbarium I illustrates Fonseca’s sui generis architectural approach
to the pictographic language of Constructive Universalism. Drawing on his
travels to archeological sites in such places as Peru, Bolivia, Greece, and Turkey,
Fonseca first liberated the symbols from the two-dimensional surface, then inserted
them in the grid to create a mythical architectonic structure. As freestanding objects,
the pictograms can be re-arranged, displayed, or hidden to enhance their symbolic
dimensions.




ProvenanceThe artist; Bernard Chappard; purchased by MFAH, 2009.


Exhibition History"Heterotopias," Madrid, (unknown date).

"Inverted Utopias: The Avant-Garde in Latin America, 1920–1970," Museum of Fine Arts, Houston, June 20–September 12, 2004.

"A Conquest of Latin American Art. Passion and Reason of a Constructive Spirit, Works of the Foundation," Espace Bellevue, Biarritz, France, June 27–September 30, 2006.

"Constructed Dialogues: Concrete, Geometric, and Kinetic Art from the Latin American Art Collection," Museum of Fine Arts, Houston, September 16, 2012–January 6, 2013.
Inscriptions, Signatures and Marks
Printed paper label on verso:
EDICT / Ronda de Segovia - 28005 Madrid ... / Tel. 91 364 38 20 - Fax ... / http://www.edict-spain.com - E-mail: arte@edict ... / Expediente: Exp. "Heterotopias" / Propietario: Cecilia de Torres, Ltd / Autor: Gonzalo Fonseca / Titulo: Columbarium no 1, 1964-66UNA-24 / No Orden: 23 No Caja: 46

Cataloguing data may change with further research.

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Sin título [Untitled]
Gonzalo Fonseca
c. 1950
Incised wood with paint
2017.110
Mudhead (Koyemshi) Figure Carrying the All Wise (Kyaklu) Kachina Figure
1910–1925
Wood, paint, wool and cotton cloth, leather, yarn, sinew, nails, wire, and string
44.427
Buffalo (Siwolo) Kachina Figure
1913–1917
Wood, paint, feathers, horns, leather, buffalo fur, rawhide, cotton cloth, satin ribbon, tin, nails, and string
44.438
Hilili (Ogre) Kachina Figure
1910–1925
Wood, paint, cow suede, sheepskin, wool cloth and yarn, unspun wool, cotton cloth, paper, yucca strips, nails, chicken feathers, sparrow feathers, horsehair, and string
44.459
Ceiling Altar with Mudheads, an Antelope, and a Moose
1910–1925
Wood, paint, wool cloth, rawhide, feathers, twigs, nails, cornhusk (?), and string
44.484
Mosaic Coffee Table
Gonzalo Fonseca
1959
Mosaic tile and wood
2017.111
Teapot
Gonzalo Fonseca
1955
Incised and painted earthenware
2017.137.1.A,.B
Sin título
Gonzalo Fonseca
1955
Incised earthenware
2017.138
Teapot and Cup
Gonzalo Fonseca
1955
Incised and painted earthenware
2017.137.1,.2
He had offered it, though without expectation
Luis Camnitzer
1987
.A: Porcelain, stainless steel, unknown casting resin, unknown dye, silicone adhesive, wood, brass. B: Engraved brass, two brass-headed picture hanging nails
2016.102.A,.B
La sordidez
Antonio Berni
c. 1964
Polymateric construction composed of wood, cardboard, plastic, roots, nails, enamel, and metals including steel, iron, and aluminum bottle caps
2004.1536
Estructura en colores puros
Joaquín Torres-García
1929
Oil and nails on wood, five pieces glued
2002.59