Joseph Mallord William Turner
View of a Seaport: East Cowes, Isle of Wight

View of a Seaport: East Cowes, Isle of Wight

Public Domain

View of a Seaport: East Cowes, Isle of Wight
CultureBritish
Titles
  • View of a Seaport: East Cowes, Isle of Wight
Date1828
PlaceIsle of Wight, England
MediumInk, ink wash, and white chalk on blue paper
DimensionsSheet: 5 × 7 1/4 in. (12.7 × 18.4 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2002.455
Not on view

Explore Further

Provenance Research Ongoing Inscriptions, Signatures and Marks
Marked, lower right recto sheet: "J M W T"
Two back labels from Thos Agnew & Sons LTD, London.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Design for the ceiling decoration of the Royal Chapel, Windsor Castle (recto)
Benjamin West
c. 1779
Black chalk, pen and brown ink and watercolor, heightened with touches of white, grey and blue bodycolor and brown wash, on oatmeal paper
2007.1461.A,.B
A Distant View of Chambery from the North, with Storm Clouds
Joseph Mallord William Turner
1836
Watercolor on wove paper, squared
2020.404
Monte Della Giustizia, Villa Montalto - Negroni, Rome
Richard Wilson
c. 1752
Black chalk, heightened with white chalk, white gouache, and gray wash on blue-gray laid paper
2021.290
Villa Borghesi (The Villa Borghese, Rome)
Richard Wilson
1754
Black chalk with white chalk on gray blue laid paper; laid down on the artist's original mount of laid paper with lilac wash laid paper border
2019.288
Bridgnorth on the River Severn (Shropshire)
Joseph Mallord William Turner
1798
Watercolor over graphite, with scratching out on wove paper
2019.287
Effects of Sunlight, St. Peter's Colonnades
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
The Ecstasy of Saint Mary Magdalene
Benedetto Luti
c. 1715–1719
Pen and ink and brown wash over traces of chalk, heightened with white on laid paper
2011.210
The Fall of Phaeton
Giovanni Battista Foggini
c. 1710–24
Pen and brown ink, brush and brown wash over black chalk, and heightened with white on laid paper
2020.479
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Romolo traccia il solco della città di Roma (Romulus Marking Out the Furrows [Boundaries] of the City of Rome with a Plough)
Polidoro Caldara, called Polidoro da Caravaggio
c. 18th century
Pen and ink with wash, heightened with white, on blue wove paper
2022.293
Margate
Joseph Mallord William Turner
c. 1835–1840
Watercolor over soft lead pencil
BF.1986.20
The Triumph of Bacchus
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260