Unknown American
High Chair

CultureAmerican
Titles
  • High Chair
Datec. 1780–1800
Probable placeConnecticut, United States, New England
Probable placeRhode Island, United States, New England
MediumSoft maple, hickory, birch, basswood, beech, and white oak
Dimensions36 1/2 × 16 × 19 1/4 in. (92.7 × 40.6 × 48.9 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.61.83
Current Location
Bayou Bend Collection and Gardens
Folk Art Room
On view

Explore Further

Department
Bayou Bend
Object Type
Description

The high-back type of Windsor first appeared in armchairs, and by about 1770 sets of side chairs began to be made. In this example, the high-back armchair form has, in the upper section, been reduced in scale to suit the intended function as a chair for use by a child at table. The added height is achieved by elongating the design of the legs’ vase turnings and tapering feet. The relative robustness at the base of the vase turnings allows for the application of a footrest. Except for cradles, specificity of form for use by a child is relatively rare in eighteenth-century furniture.

Technical notes: Soft maple (left front leg), hickory (center spindle), birch (right front leg, medial stretcher), basswood (seat), beech (right lower stretcher), white oak (crest rail, arms).

Related examples: For other examples of high chairs, see Santore 1987, pp. 209–12, figs. 225–30. For related Connecticut comb-back armchairs, see Santore 1987, pp. 56, 57, figs. 23–25. Evans 1996 illustrates a Rhode Island bow-back armchair with similarly turned arm supports (p. 283, fig. 6–91).

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


Provenance[John S. Walton, New York]; purchased by Miss Ima Hogg, 1961; given to MFAH, by 1966.
Exhibition History"Theta Charity Antiques Show", Albert Thomas Convention Center, Houston, September 25–29, 1985 (LN:85.31)
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Armchair
Francis Trumble
c. 1760–1770
Yellow-poplar, ash, white oak, soft maple, and hickory (right stretcher is a replacement made of beech)
B.64.31
Bedstead
Unknown American
c. 1800–1820
Mahogany, birch, basswood, and eastern white pine; soft maple
B.69.393
Settee
Unknown American
c. 1800–1820
Soft maple, red oak, white oak, and hickory. Old but not original green paint.
B.69.426
Square Piano
Gibson & Davis
c. 1810–1815
Painted and gilded mahogany, mahogany veneer, satinwood, soft maple, and holly; yellow-poplar, holly, beech, basswood, cherry, soft maple, eastern white pine, hemlock, mahogany, and ash
B.57.4
Armchair
Unknown American
c. 1765–1775
Soft maple, white oak, hickory, and yellow-poplar
B.69.424
Armchair
Unknown American
c. 1785–1800
Soft maple, white oak, ash, and hickory
B.69.423
scan from file photograph
Unknown American
c. 1785–1820
Mahogany; eastern white pine, ash, beech, birch, and hard maple
B.69.376.2
Side Chair (one of a pair)
Unknown American
c. 1785–1820
Mahogany; eastern white pine, ash, beech, birch, and hard maple
B.69.376.1
Armchair
Unknown American
c. 1790–1810
Yellow-poplar, soft maple, elm, ash, birch, and beech
B.69.422
Armchair
Unknown American
c. 1770–1785
Yellow-poplar, soft maple, red oak, and hickory (both handholds are replacements made of ash)
B.79.204
Armchair
Unknown American
c. 1795–1815
Soft maple, oak, hickory, and yellow-poplar
B.79.205
Card Table
Unknown American
c. 1740–1750
Mahogany; mahogany, black walnut, soft maple, eastern white pine, and basswood
B.69.132