Artist
John Cage American, 1912–1992
Printer
Stephen Thomas
Print studio
Crown Point Press
Publisher
Crown Point Press
CultureAmerican
Titles
- Day Five
- from the portfolio Seven Day Diary: Not Knowing
DateJanuary 6, 1978
Printed inOakland, California, United States
MediumHard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, and found objects, edition 20/25
DimensionsPlate: 1 7/16 × 6 9/16 in. (3.7 × 16.7 cm)
Sheet: 12 1/16 × 15 15/16 in. (30.6 × 40.5 cm)
Sheet: 12 1/16 × 15 15/16 in. (30.6 × 40.5 cm)
Credit LineMuseum purchase partially funded by the National Endowment for the Arts
Object number78.57.5
Not on view
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Department
Prints and DrawingsObject Type
Inscriptions, Signatures and Marks
Signed in graphite, lower right corner
Inscribed in graphite, lower left corner: V 20/25
Verso, inscribed in gray ink, lower right corner: CROWN POINT PRESS / STEPHEN THOMAS
Inscribed in graphite, lower left corner: V 20/25
Verso, inscribed in gray ink, lower right corner: CROWN POINT PRESS / STEPHEN THOMAS
Signed in graphite, lower right corner
Watermark, bottom right corner: RIVES
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
John Cage
January 5, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, edition 20/25
78.57.4
John Cage
January 4, 1978
Hard ground etching, drypoint, soft ground etching, and sugar aquatint, edition 20/25
78.57.3
John Cage
January 3, 1978
Hard ground etching, drypoint, and soft ground etching, edition 20/25
78.57.2
![Untitled [3]](/internal/media/dispatcher/295173/thumbnail)
Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
![Untitled [5]](/internal/media/dispatcher/295174/thumbnail)
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.850
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.849