Basin Stand

CultureAmerican
Titles
  • Basin Stand
Datec. 1785–1820
Possible placePortsmouth, New Hampshire, United States
Possible placeMassachusetts, United States
MediumMahogany, birch, and unidentified inlay; eastern white pine
Dimensions39 7/8 × 26 × 15 1/2 in. (101.3 × 66 × 39.4 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by Mr. and Mrs. Richard J. Price
Object numberB.82.9
Current Location
Bayou Bend Collection and Gardens
Mcintire Bedroom
On view

Explore Further

Department
Bayou Bend
Object Type
Description

The basin stand was first produced in England during the 1750s and shortly thereafter in America. By the 1780s the form evolved into a number of shapes, including this configuration, which George Hepplewhite deemed “a very useful shape, as it stands in a corner out of the way.” Both Thomas Shearer and Thomas Sheraton improved on the design by adding a higher splashboard and splayed front legs; the latter “spring forward, to keep them from tumbling over.” Their published plates relate to the Bayou Bend stand, one of the most pleasing American interpretations of the form.

Technical notes: Mahogany, birch (veneer; visual analysis); eastern white pine. The T-shaped shelf is constructed of two perpendicular boards joined by a concealed, lapped dovetail. The splashboard sits on the top and is dovetailed at the corner. The cast brass pull appears to be original.

Related examples: Sack 1969–92, vol. 8, p. 2210, no. P5674.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


Provenance[Israel Sack, Inc., New York]; purchased by MFAH, 1982.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Gentleman's Secretary
c. 1790–1820
Mahogany, eastern white pine, soft maple, and unidentified inlay; birch, yellow-poplar, and eastern white pine
B.61.94
Card Table
c. 1735–1745
Mahogany and unidentified inlay; mahogany, cherry, eastern white pine, and spruce with needlework
B.69.406
Card Table
c. 1785–1815
Mahogany and unidentied inlay; mahogany, eastern white pine, and birch
B.57.61
Easy Chair
c. 1785–1820
Mahogany and unidentified inlay; ash, eastern white pine, yellow-poplar, and red oak
B.60.93
Sideboard
c. 1785–1815
Mahogany and unidentified inlay; yellow-poplar, eastern white pine, and black cherry
B.69.199
Tambour Desk
John and Thomas Seymour
c. 1794–1810
Mahogany and unidentified inlay; eastern white pine and red oak
B.65.12
Card Table
c. 1800–1820
Mahogany and unidentified inlay; hard maple, hickory, and eastern white pine
B.65.9
Gaming Table
c. 1800–1820
Mahogany and unidentified inlay; eastern white pine
B.69.377
Stand
c. 1785–1850
Black cherry and unidentified inlay; eastern white pine and cherry
B.69.373
Card Table
c. 1820–1830
Grained, painted, and gilded mahogany, and birch; mahogany veneer on eastern white pine with black walnut banding, ash, eastern white pine, cherry, and original brass casters
B.68.31
scan from file photograph
c. 1785–1830
Black cherry and unidentified inlay; eastern white pine
B.69.127
Lolling Chair
c. 1810–1825
Mahogany and birch; birch and eastern white pine
B.69.128