Richard Gordon Stout
Daddy's Room

Daddy's Room
Daddy's Room
Daddy's Room
ArtistAmerican, 1934–2020
PrinterAmerican, born 1946
CultureAmerican
Titles
  • Daddy's Room
Date1994
PlaceTexas, United States
MediumAquatint, scraping, burnishing, and etching, edition 2/20
DimensionsPlate: 8 7/8 × 11 5/8 in. (22.5 × 29.5 cm)
Sheet: 13 × 15 5/8 in. (33 × 39.7 cm)
Credit LineGift of the artist in memory of Norma and Ed Ory
Object number99.275
Not on view

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Object Type
Provenance Research Ongoing Inscriptions, Signatures and Marks
Inscription: The etching is inscribed in pencil, beneath the lower left of the platemark: "2/20 / 'Daddy's Room'". The etching is inscribed in pencil on the verso, lower center: "for / Norma and Edward Ory / .Bjbast - 7-8-94". The etching is embossed with the printer's mark (Penny Cerling Studios, Houston) in the lower right sheet corner.
The etching is signed in pencil beneath the lower right of the platemark: "R. Stout '94".

Cataloguing data may change with further research.

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Copystand
Richard Gordon Stout
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2017.506.8
Untitled (Web 3)
Vija Celmins
2002, published 2003
Aquatint with burnishing, scraping, and drypoint, edition 24/65
2008.12
Untitled (D-38)
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2008
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2011.685
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Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
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Untitled
Richard Gordon Stout
1993
Drypoint and aquatint on wove paper, edition 3/10
96.990.2
Untitled
Richard Gordon Stout
1993
Drypoint and aquatint on wove paper, edition 3/10
96.990.3
Untitled (Secondaries with Black)
Jasper Johns
1991
Etching and aquatint in colors with scraping and burnishing on Japanese paper, variant trial proof
94.726
Untitled
Richard Gordon Stout
1993
Etching, edition 5/10
96.990.4
Untitled
Richard Gordon Stout
1993
Etching, edition 5/10
96.990.5
Untitled
Richard Gordon Stout
1993
Etching, edition 3/10
96.990.1
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Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
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Pablo Picasso
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Etching, aquatint and drypoint with scraping and burnishing
2004.832