Artist
Martin Disler(Swiss, 1949–1996)Swiss, 1949–1996
Print studio
Aeropress, Inc.(New York)New York
CultureSwiss
Titles
- Untitled [5]
- from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumPhoto etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
DimensionsPlate: 20 15/16 × 28 3/4 in. (53.2 × 73 cm)
Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.5
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".
Cataloguing data may change with further research.
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Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Martin Disler
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.5
Eric Fischl
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
John Baldessari
1982
Photoetching, soft ground etching, and sugar lift aquatint in black and purple, edition 9/35
96.1.5
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.4
Eric Fischl
1983
Sugar lift aquatint and soft ground etching with scraping in colors on wove paper. A.P. III/X
96.20.3