Artist
Martin Disler(Swiss, 1949–1996)Swiss, 1949–1996
Print studio
Aeropress, Inc.(New York)New York
CultureSwiss
Titles
- Untitled [6]
- from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumPhoto etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
DimensionsPlate: 20 13/16 × 28 7/8 in. (52.9 × 73.3 cm)
Sheet: 22 1/16 × 29 3/4 in. (56 × 75.6 cm)
Sheet: 22 1/16 × 29 3/4 in. (56 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.6
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".
Cataloguing data may change with further research.
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Martin Disler
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Martin Disler
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Brice Marden
1986
Sugar lift aquatint, etching and roulette, artist's proof II/X, state I/I
96.29.14
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.22
Brice Marden
1986
Sugar lift aquatint, etching and scraping, artist's proof II/X, state I/I
96.29.25
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.19
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.18