Martin Disler
Untitled [7]

Untitled [7]

© Irene Grundel Disler

Untitled [7]
Untitled [7]
ArtistSwiss, 1949–1996
Print studioNew York
CultureSwiss
Titles
  • Untitled [7]
  • from the portfolio Endless Modern Licking of Crashing Globe by Black Doggie Time-Bomb
Date1981
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumPhoto etching, aquatint, and soft ground etching, edition I/X
DimensionsPlate: 20 13/16 × 28 7/8 in. (52.9 × 73.3 cm)
 Sheet: 22 1/8 × 29 3/4 in. (56.2 × 75.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.18.7
Not on view

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X".
Signed in pencil, lower right: "Martin Disler".

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled [3]
Martin Disler
Untitled [3]
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Untitled [5]
Martin Disler
Untitled [5]
1981
Photo etching, sugar lift aquatint, soft ground etching, and etching, edition I/X
96.18.5
Untitled [4]
Martin Disler
Untitled [4]
1981
Photo etching, aquatint, etching, and scraping, edition I/X
96.18.4
Untitled [6]
Martin Disler
Untitled [6]
1981
Photo etching, etching, sugar lift aquatint, and roulette with scraping, edition I/X
96.18.6
Untitled [8]
Martin Disler
Untitled [8]
1981
Photo etching, aquatint, and sugar lift aquatint, edition I/X
96.18.8
Untitled [2]
Martin Disler
Untitled [2]
1981
Photoetching and soft ground etching, edition I/X
96.18.2
E gli eroi alla finestra (And the Heroes at the Window)
Sandro Chia
E gli eroi alla finestra (And the Heroes at the Window)
1981
Aquatint, drypoint, scraping, and soft ground etching in black and purple, edition I/X
96.12.5
L'anima-buona (The Good Soul)
Sandro Chia
L'anima-buona (The Good Soul)
1981
Aquatint, soft ground etching, scraping, and drypoint in brown and black, edition I/X
96.12.4
Untitled [1]
Martin Disler
Untitled [1]
1981
Photoetching and drypoint, edition I/X
96.18.1
Image Not Available for Untitled [Pocket knife]
Martin Disler
Untitled [Pocket knife]
1981
Plastic and stainless steel, edition I/X
96.18.9
Day Six
John Cage
Day Six
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Day Seven
John Cage
Day Seven
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7