Betye Saar
One Lost Spring

Overall recto.

© Betye Saar, courtesy of the Artist and Roberts Projects, Los Angeles

One Lost Spring
Overall recto.
ArtistAmerican, born 1926
CultureAmerican
Titles
  • One Lost Spring
Date1962
MediumSoft ground and hard ground etching with spit bite etching on wove paper, artist's proof #2
DimensionsPlate: 26 × 14 11/16 in. (66 × 37.3 cm)
Sheet: 26 11/16 × 16 3/8 in. (67.8 × 41.6 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund and by Kelty and Rogers Crain in honor of Dr. Dena M. Woodall
Object number2023.15
Not on view

Explore Further

Object Type
ProvenanceThe artist; Private collection, New York; [Dolan/Maxwell, Philadelphia, as of 2022]; purchased by MFAH, 2023.
Exhibition History"Made in California," The Museum of Fine Arts Houston, Feb. 4, 2023-TBD [Fourth Installation/Light-Sensitive Rotation: Kinder Building 207: No Catalog]

Inscriptions, Signatures and Marks
Recto: Titled in graphite, below plate, left bottom edge: One Lost Spring [cursive]
Recto: Editioned in graphite, below plate, center bottom edge: Artist's Proof #2 [cursive]
Recto: Signed and dated in graphite, below plate, right bottom edge: Betye Saar [cursive] 1962
Recto: Inscribed in graphite, right of plate, upper right edge: 328-I
Verso: Inscribed in graphite, top left corner: Saar / Proof 4
None known
Catalogue raisonnéNone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Honky Tonk Moon
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof 2/5
2008.183
Heart of Darkness
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof I/V
2008.182
Chauncy's Garden
John Alexander
1990
Soft ground etching and spit bite aquatint in colors with pastel on wove paper, artist's proof IV/V
2008.181
Martin Luther King, Jr.
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Park Place Variation
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457
Ohne Titel (Untitled)
Helmut Federle
1989
Aquatint, spit bite aquatint, and etching in black and yellow on wove paper, artist's proof X/X
96.19.6
Vignette (Wishing Well)
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Beer Garden
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
Sequence for Vertov II
David Rabinowitch
1993
Aquatint, spit bite aquatint, and soft ground etching, edition 28/30
96.33.2
Untitled [9]
John Baldessari
1982
Photoetching, soft ground etching, spit-bite aquatint, and sugar lift aquatint in colors, edition 9/35
96.1.9