Mary Cassatt
Standing woman, Double-sided study for the etching Afternoon Promenade

Standing woman, Double-sided study for the etching Afternoon Promenade

Public Domain

Standing woman, Double-sided study for the etching Afternoon Promenade
ArtistAmerican,1844–1926, active France
CultureAmerican
Titles
  • Standing woman, Double-sided study for the etching Afternoon Promenade
Date1881
MediumRecto: Graphite on wove paper Verso: Transferred soft ground on wove paper
DimensionsSheet: 12 3/16 × 15 15/16 in. (31 × 40.5 cm)
Credit LineGift of Dr. and Mrs. Craig Calvert
Object number2021.835.A,.B
Not on view

Explore Further

Object Type
ProvenanceEdgar Degas (1834-1917) (Lugt 657) [1]; [probably Hôtel Drouot, Paris, Catalogue des estampes anciennes et modernes…faisant partie de la collection Edgar Degas, November 15-16, 1918, lot 55] [2]; [sold to Paris, Durand-Ruel Gallery for 105 f.]; Robert Hartshorne (1866-1927), New York (Lugt 2215b) [3]; thence by descent, to his son, Richard Hartshorne; [Christies, New York, A Mary Cassatt Collection: Prints and Drawings from the Descendants of Robert Hartshorne, 30 October 2007, lot 19]; [Harris Schrank and C.G. Boerner, New York, 2007-2012]; purchased by Craig Calvert, 2012; Craig Calvert collection, Houston, 2012-2021; given to the MFAH, 2021.

[1] Degas had an extensive collection of works by him and his contemporaries in his estate. In the two years after his death, eight auctions occurred, reaching to the highest sum ever made by an artist’s studio.

[2] Blindstamp reads “Atelier Ed. Degas”

[3] Robert Hartshorne primarily collected prints under the guidance of EG Kennedy. Much of his collection was sold by his son Richard Hartshorne in 1945. Other significant portions were sold through Parke-Bernet in 1946 and through Christie’s in 2007.

Inscriptions, Signatures and Marks
Recto: Signed in graphite, center bottom edge: Mary Cassatt [cursive]
Recto: Inscribed in graphite, center bottom edge: R 3 [?]
Recto: Inscribed in graphite, lower right: 67 NY 529 – mas [cursive]
Verso: [none]
Recto: Signed in graphite, center bottom edge: Mary Cassatt [cursive]
Verso: [none]
Recto: [none]
Verso: Stamped in black ink, bottom right corner: RH [Collection of Robert Hartshorne]

Catalogue raisonnéBreeskin, Adelyn Dohme. Mary Cassatt: A Catalogue Raisonné of the Graphic Work. Second edition, Revised. (Washington: Smithsonian Institution Press, 1979), p. 47, 92, Cat. 33, state II/II.

Cataloguing data may change with further research.

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Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.B
Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.A
Afternoon Promenade
Mary Cassatt
1881
Soft ground etching with aquatint on laid paper, state II/II
2021.602
David Rabinowitch
no date
Graphite [recto]; Lifted soft ground [verso]
96.252
David Rabinowitch
no date
Graphite [recto]; Lifted soft ground [verso]
96.241
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Persan tenant un cheval (Persian Holding a Horse) [recto]; A man lying on his back, study for Raft of the Medusa and Study of male head in profile [verso]
Théodore Géricault
c. 1817–1822
Pen and brown ink with graphite on beige wove paper [recto]; Graphite on beige wove paper [verso]
2014.753.A,.B
David Rabinowitch
April 7, 1993
Graphite [recto]; Lifted soft ground [verso]
96.255
David Rabinowitch
no date
Graphite [recto]; Lifted soft ground [verso]
96.254
David Rabinowitch
no date
Graphite [recto]; Lifted soft ground [verso]
96.253
David Rabinowitch
no date
Graphite [recto]; Lifted soft ground [verso]
96.258
David Rabinowitch
no date
Graphite [recto]; Lifted soft ground [verso]
96.257